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Greek Mythology Series: Orphic and Homeric Creation Myths and More (7-12 Grades)

Grade Levels
7th - 12th
Standards
Formats Included
  • PDF
  • Google Apps™
  • Activity
Pages
23 pages
FREE
FREE
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Includes Google Apps™
The Teacher-Author indicated this resource includes assets from Google Workspace (e.g. docs, slides, etc.).
Easel Activity Included
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Also included in

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Description

What is a creation myth? How do matriarchal and patriarchal societies differ? Engage middle and high school students with myths of creation from Ancient Greek civilization. Explore the myth of the cosmic egg and learn how Eros was originally Phanes, a four-headed, double-sexed deity who was the motor and engine of the universe.

  • This resource is optimized for distance learning. The product includes a durable Google Apps link. Access and modify this resource for student-use on Google Classroom and other classroom management sites.

Use this Digital Download for a Three-day English Language Arts Lesson

Using my tested-in-the-classroom resources, your kids will want to discuss the primordial questions of existence, where we come from and where we are going, matriarchal versus patriarchal societies, and more! So I have loaded this resource with Nine reading cards and a set of TWENTY-SEVEN questions that will get your students talking, writing, and wondering!

Common Core Standards: This resource aligns well with the reading literature standard: "Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new."

This Resource Includes the Following Features:

  • 1 Teacher's Three-day Lesson Calendar
    • Follow the pacing calendar to stay organized. Start with background knowledge, places, and geography, engage students in group reading with custom-made reading cards, and quiz your class with trivia-style questions.
  • 9 Illustrated Reading Cards on the Orphic and Homeric Creation Myths
    • Included in this resource are four reading cards that include:
      • Definition of the Creation Myth
      • Orphic and Homeric Creation Myths
      • The Cosmic or World-Egg
      • Oceanus and Tethys
      • Nyx and Eros (Phanes)
      • Gaia and Uranus (Matriarchal)
      • Gaia and Uranus (Patriarchal)
      • Kronos
      • Rhea

  • 1 Key Characters and Places Worksheet
    • Orient your learners by identifying the key characters and the geographical location of the story.

  • A Bank of 27 Trivia-style Questions about the earliest Greek creation myth.
    • After your students engage in the reading cards, test their knowledge with a custom-made question set.

  • 3-Box Notetaking Template — Embed accountability into the lesson by having students annotate the text cards with notes, questions, and a summary of what they've read and comprehended.

  • Frayer Model Vocabulary Template (with student sample)
    • Frayer models are a way to get kids to think about vocabulary visually in a four-section square —- A square for meaning, one for examples, another for non-examples, and a sketch. It is amazing to see the work they produce. A great way to decorate your classroom to showcase your kids' vocabulary-in-text understanding.
      • Fill out the cards to contain terms, Greek and Latin roots, and challenging words (as well as contextual entries fit to the story).

  • Half-Sheet 3-2-1 Exit Ticket
    • Exit tickets are a way to get data about your students' understanding of the lesson right before the class is finished. Collect these exit tickets and quickly see what ideas your students took away from reading and discussing the myth.

  • 1 Further Reading List
    • Don't disregard this further reading list if you think it is merely a bibliography. Share the list with your students or have them do projects based on the research that is available. Assign different sources to students and organize presentations where learning can go deeper into Ancient Greek cosmology.

  • Answer Keys for all student-facing documents
    • Teachers always ask for answer keys for my products so I made sure I gave you plenty of guidance on what to expect from students in their written and oral responses.

I created this resource with secondary students in mind. It is designed for an English Language Arts Mythology unit —

  • For any myth-related unit!
  • On topics including — cosmology, creation myths (cosmogonic myths), myths of origins, and Ancient Greek history and society.
  • Use this resource as a stand-alone lesson or, pair it with a larger unit on Myth, Percy Jackson and the Lightning Thief, The Theogony of Hesiod, Robert Graves's Greek Myths, or Edith Hamilton's Mythology, or Parallel Myths by J.F. Bierlein.

For resources similar to this one see my:

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Navigate your web browser to my website Stones of Erasmus to follow me on my journey. stonesoferasmus.com © 2021

Total Pages
23 pages
Answer Key
Included
Teaching Duration
3 days
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Standards

to see state-specific standards (only available in the US).
By the end of grade 11, read and comprehend literature, including stories, dramas, and poems, in the grades 11-CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.By the end of grade 12, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 11-CCR text complexity band independently and proficiently.
Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text.
Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.
Analyze how an author draws on and transforms source material in a specific work (e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare).
Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden’s “Musée des Beaux Arts” and Breughel’s Landscape with the Fall of Icarus).

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