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Make A Dramatic Difference

Rated 4.82 out of 5, based on 90 reviews
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New York, New York, United States
About the store
Michael Blevins is originally from East Tennessee and attended the University of North Carolina, majoring in Acting and Dance and continued his studies in the performing arts at New York University's Tisch School of the Arts. As an ACTOR and Performer he has appeared on the legitimate Broadway stage numerous times, in major motion pictures and network and cable television. He cherishes the many times he has worked closely with Tony and Oscar winnning, directors, choreographers and performers including Sir Richard Attentborough, Bob Fosse, Joe Layton, Michael Douglas, Chita Rivera, Robert Downey Jr, Brooke Shields, Jason Alexander, Diane Lane and Bebe Neuwirth to name a few. Blevins is also an accomplished DIRECTOR-CHOREOGRAPHER with credits Off-Broadway, Regional Theaters, National Tours, TV Commercials, and Network Television Specials as well as civic and educational venues. In addition, he is an award-winning. produced and published PLAYWRIGHT, COMPOSER & LYRICIST. He has been a Performing ARTS EDUCATOR for almost 35 years and has taught at some of the world's premier performing arts institutions in the US and abroad. He has turned out and trained several acclaimed and successful performers; plus, he holds the distinctive honor of giving Bob Fosse's and Gwen Verdon's grandson, Sean, his first dance and acting lessons. He has been featured on "Good Morning America" for ABC-TV and on the covers of "Dance Magazine" and "USA Today". Michael Blevins resides on Manhattan's upper west side, and currently serves as the Artistic Director and Co-Founder of New York's GROUP THEATRE TOO. He continues to teach and practice and persue his craft and love of the performing arts. For more visit: http://www.grouptheatretoo.org
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Preview of "THE BEGGAR & THE KING": Power Is loud. Hunger is louder. A One-Act Social Drama

"THE BEGGAR & THE KING": Power Is loud. Hunger is louder. A One-Act Social Drama

“THE BEGGAR & THE KING” Power is loud. Hunger is louder. A One-Act Social Drama Founded On A Scenario by W. Parkhurst Text and Stage-Business, Edited, Revised and Curated for 21st Century Production by MICHAEL RULIN BLEVINS ACTING EDITION PLAY: One-Act Social Drama For Stage Production CAST: 3 total roles; [ i.e. 3 male; or 2 male & 1 female] SUITED FOR: Students ages 14 - 21 PLAYING TIM
Preview of READERS THEATER SCRIPT: "LITTLE SNOW WHITE" by The Brothers Grimm

READERS THEATER SCRIPT: "LITTLE SNOW WHITE" by The Brothers Grimm

The Brothers Grimm"LITTLE SNOW WHITE"an effective tool for helping young people improve A Readers Theater ScriptDramatized and Adapted by MICHAEL RULIN BLEVINS READERS THEATER EDITION MAKE A DRAMATIC DIFFERENCE WITH READERS THEATRE! Want to improve your students’ reading comprehension, reading fluency,, and expand their vocabulary and word choice? Research shows that Readers Theatre is an effective tool for helping young people improve their overall reading ability. The reading experience is
Preview of READERS THEATER SCRIPT: "The Golden Bird" by the Brothers Grimm

READERS THEATER SCRIPT: "The Golden Bird" by the Brothers Grimm

The Brothers Grimm "THE GOLDEN BIRD"A Readers Theater ScriptDramatized and Adapted by MICHAEL RULIN BLEVINS READERS THEATER EDITION MAKE A DRAMATIC DIFFERENCE WITH READERS THEATRE! Want to improve your students’ reading comprehension, reading fluency,, and expand their vocabulary and word choice? Research shows that Readers Theatre is an effective tool for helping young people improve their overall reading ability. The reading experience is heightened, and students more readily project and
Preview of READERS THEATER SCRIPT: Hans Christian Andersen's THE EMPEROR'S NEW CLOTHES

READERS THEATER SCRIPT: Hans Christian Andersen's THE EMPEROR'S NEW CLOTHES

Hans Christian Andersen THE EMPEROR'S NEW CLOTHESA Kingdom of Pretense Only TheInnocent Can See Dramatized and Adapted by MICHAEL RULIN BLEVINS READERS THEATER EDITION MAKE A DRAMATIC DIFFERENCE WITH READERS THEATRE! Want to improve your students’ reading comprehension, reading fluency,, and expand their vocabulary and word choice? Research shows that Readers Theatre is the perfect tool f
Preview of THE OLD SLEUTH, a one-act comedy for performance by young people

THE OLD SLEUTH, a one-act comedy for performance by young people

THE OLD SLEUTH A One-Act ComedyInspired by & Founded OnAn Original Story by W. BeckRevised, Edited & Curatedfor 21st Century ProductionbyMICHAEL RULIN BLEVINS ACTING EDITION PLAY: Short; 0ne-act CAST: 10 cast members; 5 m. & 5 f. SUITED FOR: Middle School/Junior & Senior High School SETS: Simple interior -Physiology Class Room in a Public School COSTUMES: Can be as simple or elaborate as desired. PROPS: Accessible and easily acquired items. LIGHTING: Some special lighting effects are
Preview of Readers Theater Script: A TALE FOR HALLOWEEN,  suited for grammer grades

Readers Theater Script: A TALE FOR HALLOWEEN, suited for grammer grades

Make A Dramatic Difference! A TALE FOR HALLOWEENA Readers Theater ScriptAdapted & DramatizedbyMICHAEL RULIN BLEVINSWant to improve your students’ reading comprehension, reading fluency, and expand their vocabulary and word choice? Research shows that Readers Theater is an effective tool for helping young people improve their overall reading ability. The reading experience is heightened, and students more readily project and interpret the meaning of the text with the acting out of dialogue. Plu
Preview of PERJURED, Readers Theatre Script of short story by E. Ronald Mirrielees

PERJURED, Readers Theatre Script of short story by E. Ronald Mirrielees

MAKE A DRAMATIC DIFFERENCE!Want to improve your students’ reading comprehension, reading fluency, and expand their vocabulary and word choice? Research shows that Readers Theater is an effective tool for young people to improve their overall reading ability. The reading experience is heightened, and students more readily project and interpret the meaning of the text through the acting out of dialogue. Plus, retention, comprehension, and vocabulary all improve accordingly. Reading role models are
Preview of SUCCESS, a one-act play for two performers

SUCCESS, a one-act play for two performers

SUCCESSA One-Act Play For Two PerformersInspired by & Founded On AnOriginal Story by M. B. Cooke Revised, Edited & Curatedfor 21st Century ProductionbyMICHAEL RULIN BLEVINS ACTING EDITION PLAY: Short; one-act CAST: 1m, & 1f. SUITED FOR: Senior High School; Adult Performers SETS: The Garden of Mrs. Saint Albans; Exterior; As simple or elaborate as desired COSTUMES: Can be as simple or elaborate as desired. PROPS: Accessible and easily acquired items. LIGHTING: Some special lighting
Preview of "THE UMBRELLA", a comedic one-act play for nine female-presenting characters

"THE UMBRELLA", a comedic one-act play for nine female-presenting characters

THE UMBRELLAA One-Act Play For FemalesInspired by & Founded on an Original story by A.C. Thompson Revised, Edited & Curated for 21st Century Production by MICHAEL RULIN BLEVINS ACTING EDITION Play: Comedic one-act play Cast: 9 principal female-presenting performers Suited for: High School, University, & adult actors Sets: Can be as simple or elaborate as desired Costumes/Props: Period-appropriate, simple or elaborate; see plots at end of script Lighting
Preview of THE TWELVE POUND LOOK, a 1-act stage play in a new revised version

THE TWELVE POUND LOOK, a 1-act stage play in a new revised version

J.M. BARRIE’S THE TWELVE POUND LOOK A Stage Play in One-Act Revised, Edited & Curated for 21st Century Production by MICHAEL RULIN BLEVINS ACTING EDITIONPlay: Short; 1 Act Cast: 2 m. 2 f. Suited for: Junior & Senior High School; University; Adult Performers Sets: Sir Harry’s house in Mayfair; interiof Time: Simple or elaborate as desired (Circa Early 20th Century, 1914) Costumes: Can be as simple or elaborate as desired. Props: Accessible and easily acquired items. Lighting: No special
Preview of ROBIN HOOD & THE SAD KNIGHT, a stage play in one-act, for grammer students

ROBIN HOOD & THE SAD KNIGHT, a stage play in one-act, for grammer students

ROBIN HOOD & THE SAD KNIGHT A One-Act Stage PlayFounded On An Original Scenario by Holbrook Text and Stage-Business Revised, Edited & Curatedfor 21st Century ProductionbyMICHAEL RULIN BLEVINS ACTING EDITION Play: A Stage Play in One-Act Cast: 7 male-presenting characters; 2 female-presenting characters Suited for: Grammar school students Set: Can be as simple or elaborate as desired Costumes/Props: Medieval-period appropriate as simple or elaborate as desired. Lighting: Special effects wi
Preview of ONE-ACT PLAY: "School Exam" - A One-Act Play for Production by Young People

ONE-ACT PLAY: "School Exam" - A One-Act Play for Production by Young People

ONE-ACT PLAY SERIES "SCHOOL EXAM" A Short One-Act Play for Performance by Young People Comedic Entertainment One-Act/Farcical Comedy Flexible Cast: 7 males & 3 women (with flexible casting) Playing Time: approx 20 minutes For classroom or full-stage production; excellent addition to assembly programs SYNOPSIS: It's time for the annual School Examination and it's not the students who are being examined but rather the School Board is under scrutiny. The laughs are immense as the action unfold
Preview of BETSY ROSS AND OUR AMERICAN FLAG, a 1-act play for elementary students

BETSY ROSS AND OUR AMERICAN FLAG, a 1-act play for elementary students

Hubbard’sBETSY ROSS & OUR AMERICAN FLAGA Play In One-Actfor Stage Presentation or Round-the-Table Reading Revised, Edited & Curated byMichael Rulin Blevins ACTING EDITION Play: One-act drama in two scenes Cast: 2 females, 3 males; Suited for: 2nd Grade thru 6th Grade Sets: Can be as simple or elaborate as desired Costumes/Props: 1777 period costumes Lighting: No special effects are required Playing Time: Approximately 10 minutes Hubbard’s BETSY ROSS & OUR AMERICAN FLAG is a lively o
Preview of MUKERJI’S “THE JUDGMENT OF INDRA” A Revised 1-act for Modern Day Production

MUKERJI’S “THE JUDGMENT OF INDRA” A Revised 1-act for Modern Day Production

Series: Around The World In Thirty Plays - INDIA DHAN GOPAL MUKERJI’s THE JUDGMENT OF INDRAA One-Act Founded On The StoryOriginally Dramatized by D. D. Makerji Adapted, Edited & Curated for 21st Century Production byMichael Rulin Blevins ACTING EDITION Play: One-act play Cast: 4 principal characters; plus two extra Suited for: Sr. High, University, & Adults actors Sets: Can be as simple or elaborate as desired Costumes/Props: 15th Century period-appropriate, simple or elaborate Lig
Preview of Sholom Asch's, NIGHT, A Play In 1-Act Translated by Jack Robbins

Sholom Asch's, NIGHT, A Play In 1-Act Translated by Jack Robbins

Series: Around The World In Thirty Plays - Yiddish SHOLOM ASCH’S “NIGHT” A Play In One-Act Translated by Jack Robbins Revised, Edited & Curated for 21st Century Production by MICHAEL RULIN BLEVINS ACTING EDITION Play: One-act play Cast: 10 principal characters; 6 m. 4 f. + male & female extras Suited for: Sr. High, University, & Adults actors Sets: Can be as simple or elaborate as desired Costumes/Props: 15th Century period-appropriate, simple or elaborate Lighting: Spec
Preview of Oscar Wilde's THE HAPPY PRINCE, in a revised one-act stage version

Oscar Wilde's THE HAPPY PRINCE, in a revised one-act stage version

Series: Around The World In Thirty Plays - Ireland Oscar Wilde’s “ THE HAPPY PRINCE” Originally Dramatized by Moore & Allen Text & Stage Business Revised & Edited for 21st Century Production by MICHAEL RULIN BLEVINS ACTING EDITION Play: One-act play Cast: 2 principal characters; 1 m, 1 f; 1 offstage male voice Suited for: Sr. High, University, & Adults actors Sets: Can be as simple or elaborate as desired Costumes/Props: Period-appropriate, simple or elaborate Lighting: Sp
Preview of EVERY KID, a 1-act academic morality play for performance by students ages 8-12

EVERY KID, a 1-act academic morality play for performance by students ages 8-12

EVERY KIDA One-Act Academic Morality PlaybyMichael Rulin Blevins ACTING EDITION Play: One-Act Entertainment Cast: 8 characters; (roles not gender-specific can be all male, all female, or any combination of both genders.) Sets: Limbo space; no specific requirements Costumes/Props: simple, easy to acquire Lighting: No special effects required Playing Time: Approximately 15 minutes EVERY KID, written by Broadway, Film and Television veteran Michael Blevins is an entertaining one-act morality play
Preview of A MATTER OF HUSBANDS: a short comedy for Sr. High, University & Adult performers

A MATTER OF HUSBANDS: a short comedy for Sr. High, University & Adult performers

MOLNAR'S"A Matter of Husbands"A One-Act Stage Play ACTING EDITIONIn a New TranslationRevised, Edited, and Curatedfor 21st Century ProductionbyMICHAEL RULIN BLEVINS Play: Short,comedic 1 Act Cast: 2 females; + one male extra/walk-on Suited for: Senior High School, University and/or Adult performers Sets: Interior; as simple or elaborate as desired Time: Today, Yesterday, Tomorrow Costumes,: Can be as simple or elaborate as desired Props: Easily acquired Lighting: No special effects. Playing
Preview of ONE-ACT PLAY: "Central Park Philosopher", for stage or classroom presentation

ONE-ACT PLAY: "Central Park Philosopher", for stage or classroom presentation

"CENTRAL PARK PHILOSOPHER"*A One-Act Playfor production by high school studentsbyMICHAEL RULIN BLEVINS Play/DramaPlaying Time: 15 mins.Cast: 1m, 2f Simple Exterior Setting: Park benchCostumes: Simple; no special requirementsThis unique and interesting one-act play is excellent for presentation on the stage or in ,the classroom by high-school-age students. Features a cast of only 3 actors: 1 male and 2 female. Perfect as short entertainment in a longer presentation. ========================
Preview of "CLASS REUNION", A One-Act Stage Play

"CLASS REUNION", A One-Act Stage Play

"CLASS REUNION"One-Act Stage Play byMICHAEL RULIN BLEVINS ACTING EDITION One-Act Play 2 males; 2 females Playing Time: 15 mins. A four-character play depicting: a man, a woman, the man’s thoughts, and the woman’s thoughts. We see them as they appear to each other and also know what they are thinking and not expressing vocally. Our principal characters, Lindsey and Kevin, are two ordinary, run-of-the-mill, everyday people who meet at a CLASS REUNION some years after their graduation. The
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About the store

Experience

Michael Blevins is originally from East Tennessee and attended the University of North Carolina, majoring in Acting and Dance and continued his studies in the performing arts at New York University's Tisch School of the Arts. As an ACTOR and Performer he has appeared on the legitimate Broadway stage numerous times, in major motion pictures and network and cable television. He cherishes the many times he has worked closely with Tony and Oscar winnning, directors, choreographers and performers including Sir Richard Attentborough, Bob Fosse, Joe Layton, Michael Douglas, Chita Rivera, Robert Downey Jr, Brooke Shields, Jason Alexander, Diane Lane and Bebe Neuwirth to name a few. Blevins is also an accomplished DIRECTOR-CHOREOGRAPHER with credits Off-Broadway, Regional Theaters, National Tours, TV Commercials, and Network Television Specials as well as civic and educational venues. In addition, he is an award-winning. produced and published PLAYWRIGHT, COMPOSER & LYRICIST. He has been a Performing ARTS EDUCATOR for almost 35 years and has taught at some of the world's premier performing arts institutions in the US and abroad. He has turned out and trained several acclaimed and successful performers; plus, he holds the distinctive honor of giving Bob Fosse's and Gwen Verdon's grandson, Sean, his first dance and acting lessons. He has been featured on "Good Morning America" for ABC-TV and on the covers of "Dance Magazine" and "USA Today". Michael Blevins resides on Manhattan's upper west side, and currently serves as the Artistic Director and Co-Founder of New York's GROUP THEATRE TOO. He continues to teach and practice and persue his craft and love of the performing arts. For more visit: http://www.grouptheatretoo.org

Teaching style

Non-traditional!!

Awards & shining teacher moments

Blevins received the 2012 NJ Tony Award as Best Director-Choreographer for his production of Alan Menken's A CHRISTMAS CAROL: "Best director and choreographer: Michael Blevins (“A Christmas Carol,” Centenary Stage Company). Considering what he accomplished, Blevins must have started rehearsing around the time that Charles Dickens started writing his tale. He cast no fewer than 65 actors, many of whom were children that he’s coached in his invaluable Centenary Young Performers Workshop. They and the adults performed four production numbers, each of which was several minutes long. Blevins threw them an unexpected arm thrust here and an unanticipated slap on the knee there. More than five dozen actors got every move right on opening night. Only the best director-choreographers can get that out of so many people." - Peter Filichia, national theatre critic Blevins also received the Best New Musical Award from Rob Hopper, Executive Director of the National Youth Theatre for his original musical Count to Ten. Also, received Best Of Fest "Honorable Mention for Choreography" featured in the 2009 New York Musical Theatre Festival. Blevins' acclaimed students include Tony Winner Savion Glover, Emmy Winner Jason Samuels Smith, Tony Nominee Melissa Errico, Broadway performer & Tony Nominee Frank Dolce, noted Broadway Dance Center teacher Justin Boccitto, Broadway composer/lyricist Jason Robert Brown, and Emmy Winner & Broadway actor/dancer, Dule Hill, and Anthony Zas, of Disney's Newsies the Musical. Blevins was also asked to teach Macaulay Culkin to tap dance for a Bob Hope TV special.

My own education history

ACTING: New York University – Tisch School of the Arts - Dept. of Drama University of North Carolina – Greensboro Actor’s and Director’s Lab, NYC – Harold Clurman w/Jack Garfein and Candace Derra VOICE: Keith Davis, Lynn Singer, Alisa Schiff DANCE: Tap: Danny Daniels, Maurice Hines, Henry Le Tang; Theatre Dance/Jazz: Phil Black, Ronn Forella, Sue Samuels, Frank Hatchette; Ballet: Nicole Fosse, Dorothy Lister, Joffrey Ballet

Additional biographical information

Michael Blevins is a highly respected and experienced teacher having sustained an International teaching career for over thirty years. Blevins currently spends his weekends serving as the director of the noted Centenary Young Performers' Workshop hailed by the Star Ledger as, "A State Treasure". The Young Performers' Workshop has been under Blevins' direction since 1992 and is a professional musical theatre training program housed by the Centenary Stage Company a professional Equity theatre in residence at Centenary College, Hackettstown, NJ and features weekend Fall/Spring sessions and a Summer Intensive program established and created by Blevins in 1993. Mr. Blevins was also commissioned to teach dance and acting by the Executive Director of the Vermont Alliance for Arts, Education, a member of the Kennedy Center Alliance for Arts Education.He has also acted as a resident teacher for New York University's Tisch School of the Arts exclusive studio program. Other teaching engagements have been with NYC's Broadway Dance Center, STEPS on Broadway the Summerfest Ballet Conservatory, East Tennessee State University,Public School Systems in New York state, NYC, and New Jersey, the Tennessee Association of Dance, Georgia State University, Nebraska Dance Teachers Association, Hunter College Elementary School and the Folkuniversitete Balettakademien under the artistic direction of Lia Schubert in Gothenburg, Sweden.[Madame Lia Schubert was the Artistic Advisor for Les Ballets Persans in Sweden, and Founder & Artistic Director Emeritus of the Stockholm and Gothenburg Ballet Academy in Sweden and Dance Center in Haifa, Israel.] Along with Gwen Verdon he co-founded the MTW Academy the first young people's Musical Theatre program run by a professional Off-Broadway theatre company. Former child students include: Broadway and film actress Melissa Errico, Broadway's and TV's ,Alfonso Ribeiro of "Fresh Prince" fame and Tony Award winning tap sensation Savion Glover. Tony winning choreographer Danny Daniels hired Blevins to train young Savion Glover, Dule Hill and Jimmy Tate for their roles in the Tony winning Broadway production of The Tap Dance Kid. Other celebrated Blevins students include, Justin Boccitto, Frank Dolce, Ron Morehouse & Adam Kantor. Additionally, Blevins holds the distinctive honor of giving Bob Fosse's and Gwen Verdon's grandson, Sean, his first dance and acting lessons. He currently teaches Tap Dancing and a One-Act Playhouse performance program at PS #75 on Manhattan's upper west side and also conducts Acting and Dance Workshops and Master Classes throughout the Tri-State area. For up-to-date info on current Workshops & Master Class schedule visit: http://www.PerformingArtsWorkshops.org. MICHAEL BLEVINS is an agile and artful composer/lyricist and award-winning, published playwright with a variety of titles to his credit. He is the book-writer and co-author of music and lyrics for Count To Ten which played Off-Broadway at the Theatre at St. Clements and was an Official Selection of the 2009 New York Musical Theatre Festival. Blevins also received the Best New Musical Award from Rob Hopper, Executive Director of the National Youth Theatre for Count to Ten. In addition, Michael also penned “An American Sampler: 100 Years of Broadway Dance” that was commissioned by the New Jersey Performing Arts Center for their state-wide Theatre Academy Program and The Broadway Kid a One-Act Musical Vaudeville featuring the life, times and music of George M. Cohan. Plus, Blevins was commissioned to write the book, music, and lyrics for The Carol, a musical adaptation of the Dicken's Christmas classic that enjoyed a successful run at the Johnson City Community Theatre, the oldest continuing community theatre in the State of Tennessee. He is also the author of the social awareness respect-your-body one-act play, aftermath which has enjoyed productions in New York, Texas, Massachesuttes, and Ontario. "aftermath" is published by Heuer Publishing. Plus, Michael has penned several one-act plays to be performed by children most notably Kelly & The Internet Goblins published by PLAYS, The Drama Magazine for Young People. Other children's one-act plays authored by Blevins include Suite Heart, Club Drama, The Will, Reflections and Toylandfill will be included in a soon-to-be published book for young theatre enthusiasts entitled Garage Plays. Blevins' newest full-length play, The Roundabout Inn premiered at the Centenary Stage Company and plans are being made to bring the show to New York in the near future. Michael is a proud member of the Dramatists Guild of America, Inc. and is represented by New York entertainment lawyer, Donald C. Farber, Esq. and Literary Agent, Jerry Rudes, of Mistral Artist Management, New York. For more info visit: NYCplaywright.com MICHAEL BLEVINS has appeared in several Broadway productions including, "Bring Back Birdie", Neil Simon's "Little Me", and the Tony Winning "Tap Dance Kid" in which he created the role of "Winslow". Favorite Regional Theatre credits include: Andrew in "Love Letters", with Constance Shulman, the Emcee in "Cabaret" with Beth Leavel, Johnny Burton [role written for Blevins] in "Drumwright" with two-time Tony winner John Cullum, and John Cleary in "The Subject Was Roses". Other work includes appearances in a slew of National and International TV commercials, plus network television shows and specials including the "Tony Awards Show", and a regular spot on the ABC series "The Nashville Palace". Major film roles include a bit in "Zelig", and a supporting role in the screen biography "Chaplin", yet he is most widely known for his portrayal of Mark in the movie "A Chorus Line". Blevins feels fortunate having worked for many Tony and Academy Award winning Directors and Choreographers including Sir Richard Attenborough, Joe Layton, Woody Allen, Vivian Matalon, Peter Gennaro, Danny Daniels and Bob Fosse. He has performed with a wide variety of top-notch performers including Chita Rivera, Michael Douglas, Andy Griffith, Donald O'Conner, Diane Lane, Victor Garber, Brooke Sheilds, Savion Glover, James Coco, Bebe Neuwirth, Jane Krakowski and Robert Downey, Jr. He has been featured on "Good Morning America" for ABC-TV and on the covers of "Dance Magazine" and "USA Today". Blevins as Director/Choreographer: Off-Broadway credits include, choroegraphy for The Mad Forest, [Manhattan Theatre Club & the New York Theatre Workshop], direction and choreography for Count To Ten in the New York Musical Theatre Festival, [Theatre At St. Clements] where his choreography received an Honorable Mention in the NYMF's Best of Fest Awards for Excellence in Choreography. Other New York productions include: NY revival of Seesaw and Quick Curtains, [Group Theatre Too] and the aacclaimed Miss Evers Boys, [Red Fern Theatre Company]. He is currently a director/choreographer for the Centenary Stage Company, an Equity theatre in residence at Centenary College in New Jersey and most recently directed/choreographed Menken's A Christmas Carol there. Other Centenary Stage Company productions include, Oliver!, The Wizard of Oz, Nunsense and Little Shop of Horrors. Favorite regional productions include "The Subject Was Roses", and "A Thousand Clowns" with Adam Arkin for the American Stage Company. He has Directed and Choreographed the National Tours of "Babes In Toyland", "Aladdin", and "Tom Sawyer" for the American Family Theatre as well as "aftermath" a social awareness play that toured both public and private high schools reaching over 5,000 students in the Tri-State area. He was comissioned to direct "American Sampler: 100 Years of Musical Theatre Dance" for the New Jersey Performing Arts Center. Blevins has choreographed several national TV commercials for "Days Inn", plus, regional spots for the NJ State Lottery, and music videos for redording artists Melba Moore and Amy Grant. He has lent his choreographic assistance to a long list of network television specials including "How To Be A Man" with Scott Baio [CBS]; The Nashville Palace with Andy Griffith [ABC}; and "The Country Music Awards" with Charlie Daniels and Barbara Mandrell [NBC]. Blevins is the Co-Founder and current Artistic Director of the Group Theatre Too a New York based theatre company. [http://www.grouptheatretoo.org] Michael Blevins currently resides in Manhattan and is a proud member of the Actor's Equity Association, Screen Actors Guild, American Federation of Television and Radio Artists and the Dramatists Guild.