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Purely Textual

Rated 4.5 out of 5, based on 2 reviews
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Brugge, West-Vlaanderen, Belgium
About the store
Purely Textual began as a creative project for my wife’s love of reading. What started as designing literary apparel soon evolved into visual resources and posters for classic literature, built to help readers and classrooms see how stories work beneath the surface. Each design combines careful research, historical accuracy, and visual clarity.
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Preview of Jekyll and Hyde Analysis Posters | Gothic Literature Bundle | AP Lit & GCSE

Jekyll and Hyde Analysis Posters | Gothic Literature Bundle | AP Lit & GCSE

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Purely Textual
Elevate Your Jekyll & Hyde Unit with High-Rigor Visual Analysis Stop settling for "pretty but shallow" classroom decor. This collection of 6 high-resolution analytical posters is engineered for the serious English classroom. PLUS Bonus: The Primitive Self Poster Built specifically for AP Literature, GCSE, and IB English, these visual anchors move students beyond plot summary and into deep textual analysis. The "Purely Textual" Difference: A2 Master Quality Unlike standard digital downloads, thes
Preview of Dracula Analytical Infographic Poster Bundle, 10th 11th 12th Grade

Dracula Analytical Infographic Poster Bundle, 10th 11th 12th Grade

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Purely Textual
This 6-poster Dracula thematic bundle provides a structured visual framework for teaching Bram Stoker’s Dracula. Designed for high school English, GCSE, and A Level literature units, the set supports analysis of power, gender, empire, and modernity in Gothic fiction. Rather than decorative wall art, these posters function as analytical anchors for essay writing and thematic study. Included Posters This bundle includes six A2, high-resolution PDF posters: Maps of Fear – Geography and Imperia
Preview of Jane Eyre Literary Analysis Poster Bundle, 9th 10th 11th 12th Grade

Jane Eyre Literary Analysis Poster Bundle, 9th 10th 11th 12th Grade

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Purely Textual
This Jane Eyre literary analysis bundle includes five structured posters designed to support thematic, structural, and narrative study. Created for Grades 9–12, this set provides a cohesive interpretive framework suitable for GCSE, A Level, and AP Literature classrooms. Each poster functions as an analytical anchor chart rather than decorative display. Included Posters 1. The Divided Self Jane and Bertha as psychological and ideological doubles. Focus: duality, repression, feminist interpre
Preview of Frankenstein Novel Study Bundle | 5 Deep Analysis Anchors | AP Lit & HS ELA

Frankenstein Novel Study Bundle | 5 Deep Analysis Anchors | AP Lit & HS ELA

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Purely Textual
Save 30% with the Frankenstein Dark Academia Analysis Bundle! Includes 5 high-rigor visual scaffolds (Hubris, Motifs, Arc) plus a bonus "Modern Prometheus" cinematic poster.Master the complexities of Mary Shelley’s Gothic masterpiece.This comprehensive bundle provides a complete visual framework for analyzing Frankenstein. Moving beyond surface-level plot, these five analytical scaffolds challenge 9th-12th Grade and AP Literature students to engage with the novel’s deep philosophical and stru
Preview of Frankenstein Close Reading Lesson | Ambition & Creation Analysis Debate Writing

Frankenstein Close Reading Lesson | Ambition & Creation Analysis Debate Writing

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Purely Textual
Frankenstein close reading lesson for dark academia and Gothic literature classrooms. Students explore Victor and the creature as mirror figures — not opposites — tracking ambition, isolation, revenge, and responsibility through two primary source extracts, guided annotation, structured debate, and analytical writing. This is Lesson 1 of 5 in the Frankenstein Deep Analytical Poster Lesson series. 𝗪𝗛𝗔𝗧'𝗦 𝗜𝗡𝗦𝗜𝗗𝗘 ✦ Full teacher guide with 50–60 minute lesson flow, discussion promp
Preview of Frankenstein Engine of Transgression Lesson | Hubris & Consequence Analysis | HS

Frankenstein Engine of Transgression Lesson | Hubris & Consequence Analysis | HS

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Frankenstein close reading lesson for dark academia and Gothic literature classrooms. Students examine transgression not as a single catastrophic act but as a closed system: a circuit that begins in ambition, passes through hubris, produces guilt, and cycles back into retribution. Two extracts — Victor's warning to Walton and the laboratory scene — reveal how Shelley builds transgression as an engine. This is Lesson 5 of 5 in the Frankenstein Deep Analytical Poster Lesson series. 𝗪𝗛𝗔𝗧'𝗦
Preview of Frankenstein Descent Into Horror Lesson | Guilt & Consequence Analysis |  HS ELA

Frankenstein Descent Into Horror Lesson | Guilt & Consequence Analysis | HS ELA

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Frankenstein close reading lesson for dark academia and Gothic literature classrooms. Students track Victor's moral deterioration through four stages of consequence: the Grove of Ambition, the Swamp of Guilt, the Glacier of Isolation, and the Lake of Fire. Two extracts — Victor after Justine's death and his final self-assessment — frame a debate: is the descent consequence or continuation? This is Lesson 4 of 5 in the Frankenstein Deep Analytical Poster Lesson series. 𝗪𝗛𝗔𝗧'𝗦 𝗜𝗡𝗦𝗜𝗗𝗘 ✦
Preview of Frankenstein Creature's Journey Lesson | Innocence to Revenge Analysis | HS ELA

Frankenstein Creature's Journey Lesson | Innocence to Revenge Analysis | HS ELA

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Purely Textual
Frankenstein close reading lesson for dark academia and Gothic literature classrooms. Students track the creature's moral development from raw sensation and wonder through self-recognition and rejection to the organised language of threat and revenge. Two extracts — the pool passage and the mountain confrontation — frame a debate: is the creature's violence innate or produced? This is Lesson 3 of 5 in the Frankenstein Deep Analytical Poster Lesson series. 𝗪𝗛𝗔𝗧'𝗦 𝗜𝗡𝗦𝗜𝗗𝗘 ✦ Full teacher
Preview of The Crucible Analysis Lesson 6: Abigail & Logic of Association | AP Lit & HS ELA

The Crucible Analysis Lesson 6: Abigail & Logic of Association | AP Lit & HS ELA

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Purely Textual
Why does the machine survive Abigail's exit? High-rigor Lesson 6: Analyze the "Logic of Association" and the elimination of resistance for AP Lit & HS ELA."The machine does not require a villain to run. It only requires participants."In the final installment of the When Judgment Precedes Truth series, we examine the most consistent and least discussed pattern in The Crucible: the systematic elimination of dissent. This lesson proves that the court’s primary function isn't to find witches, but
Preview of The Crucible Analysis Lesson 5: Innocence & Exoneration | AP Lit & HS ELA

The Crucible Analysis Lesson 5: Innocence & Exoneration | AP Lit & HS ELA

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Why is there no exoneration in The Crucible? High-rigor Lesson 5: Deconstruct the system's "missing exit" and the impossibility of innocence for AP Lit/HS ELA."The system did not malfunction. It was never built to say 'Not Guilty'."In Salem, you can confess or you can hang, but you cannot be found innocent. This fifth lesson in The Crucible series examines the structural impossibility of exoneration. It challenges students to look past the tragedy of the characters to see the tragedy of a legal
Preview of The Crucible Analysis Lesson 4: Danforth & Authority | AP Lit & HS ELA

The Crucible Analysis Lesson 4: Danforth & Authority | AP Lit & HS ELA

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Analyze Judge Danforth’s "Logic of Irreversibility." High-rigor Crucible Lesson 4: Deconstruct authority as performance & the trap of certainty for AP Lit/HS ELA."Postponement speaks a floundering on my part."In Salem, authority is not derived from truth; it is derived from the appearance of being right. This fourth lesson in the Crucible series deconstructs Judge Danforth not as a caricature of evil, but as a man enslaved by the system he supposedly runs. The Pedagogical Focus:Performance as
Preview of The Crucible Analysis Lesson 2: Reputation & Proctor's Name | AP Lit & HS ELA

The Crucible Analysis Lesson 2: Reputation & Proctor's Name | AP Lit & HS ELA

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Analyze reputation as legal infrastructure in The Crucible. High-rigor Lesson 2: Deconstruct the signature, the name, and the "Price of a Name" for AP Lit/HS ELA."I have given you my soul; leave me my name!"In Salem, reputation is not social vanity—it is the only form of legal standing available. This second installment in the Crucible series shifts the focus from the court's architecture to its currency: the names of the accused. The Pedagogical Focus:Reputation as Infrastructure: Analyzing ho
Preview of The Crucible Analysis Lesson 1: The Architecture of Accusation | AP Lit & HS ELA

The Crucible Analysis Lesson 1: The Architecture of Accusation | AP Lit & HS ELA

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Purely Textual
Deconstruct the systemic logic of Salem's court. High-rigor Crucible Lesson 1: Analyze how judgment precedes truth through textual extracts and procedural logic."The court never changes its verdict. Not once."Stop teaching The Crucible as a story of "bad people." Start teaching it as a study of a perfectly functioning system. > This first installment in the When Judgment Precedes Truth series moves students away from character drama and into the cold, structural mechanics of the theocracy.
Preview of Dracula Close Reading Lesson | Mina Harker | 10th 11th 12th Grade ELA

Dracula Close Reading Lesson | Mina Harker | 10th 11th 12th Grade ELA

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Purely Textual
This print-and-go High Rigor close reading lesson examines Mina Harker as the novel's version of the New Woman — exploring how Dracula presents modern female agency as intellectually valuable, socially useful, and ultimately conditional. Students track how the same woman moves from indispensable to managed, and what that movement reveals about the terms on which the novel permits female intelligence. What's included (8 pages): Teacher guidance with timings, curriculum alignment, and discus
Preview of Dracula Close Reading Lesson | Powers Of  Dominion | 10th 11th 12th Grade ELA

Dracula Close Reading Lesson | Powers Of Dominion | 10th 11th 12th Grade ELA

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Purely Textual
This print-and-go High Rigor close reading lesson examines how Dracula presents power as fluid, adaptive, and impossible to contain. Students analyse Jonathan Harker's wall scene alongside Van Helsing's catalogue of powers, exploring why the Count is most frightening not when he is strongest — but when he cannot be fixed inside a single category. What's included (8 pages): Teacher guidance with timings, curriculum alignment, and discussion notes. Opening provocation and context. Two student
Preview of Dracula Close Reading Lesson | Blood As Power | 10th 11th 12th Grade ELA

Dracula Close Reading Lesson | Blood As Power | 10th 11th 12th Grade ELA

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Purely Textual
This print-and-go high rigor close reading lesson examines how Dracula turns blood into a system of power rather than a simple symbol of life. Students move from Lucy's transfusions to Mina's contamination, analysing how blood operates as circulation, claim, exchange, and control — and why the men's attempts to restore it keep failing. What's included (8 pages): Teacher guidance with timings, curriculum alignment, and discussion notes. Opening provocation and context. Two student extracts —
Preview of Dracula Close Reading Lesson | Crew of Light | 10th 11th 12th Grade ELA

Dracula Close Reading Lesson | Crew of Light | 10th 11th 12th Grade ELA

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Purely Textual
This print-and-go high rigor close reading lesson examines how Dracula turns killing into a sanctioned act. Students analyse the Lucy staking scene to explore how religion, medicine, grief, and masculine duty combine until violence appears not only justified — but necessary. What's included (8 pages): Teacher guidance with timings, curriculum alignment, and discussion notes. Opening provocation and context framing the Crew of Light as converging authority. Student extract from the Lucy stakin
Preview of Dracula Close Reading Lesson | Lucy & Mina | 10th 11th 12th Grade ELA

Dracula Close Reading Lesson | Lucy & Mina | 10th 11th 12th Grade ELA

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Purely Textual
This print-and-go high rigor close reading lesson examines how Bram Stoker constructs femininity as either desired or permitted — and why only one of those states survives. Students compare Lucy Westenra and Mina Murray through two short extracts, analysing how language positions each woman within the same social system. What's included (8 pages): Teacher guidance with timings, curriculum alignment, and discussion notes. Opening provocation and Victorian context. Two student extracts with ann
Preview of The Crucible Analysis Lesson 3: Tituba & The Girls' Confessions | AP Lit & HS EL

The Crucible Analysis Lesson 3: Tituba & The Girls' Confessions | AP Lit & HS EL

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Purely Textual
Analyze confession as "production" in The Crucible. High-rigor Lesson 3: Deconstruct Tituba’s confession & the supply chain of naming for AP Lit/HS ELA."The court does not want truth. It wants yield."In Salem, a confession is not the conclusion of a case—it is the catalyst for the next one. This third lesson in the Crucible series deconstructs the structural necessity of the "naming" ritual. It moves students away from the emotion of the scene to analyze how the court treats confession as a man
Preview of Frankenstein Symbols & Motifs Lesson | Fire Ice Light Darkness Close Analysis

Frankenstein Symbols & Motifs Lesson | Fire Ice Light Darkness Close Analysis

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Purely Textual
Frankenstein symbols and motifs close reading lesson for dark academia and Gothic literature classrooms. Students track how Shelley uses six recurring images — fire, lightning, ice, books, the creature's face, the laboratory — not as decoration but as argument. Each symbol carries multiple and contradictory meanings. Students learn to read what a symbol does in context, not just name it. This is Lesson 2 of 5 in the Frankenstein Deep Analytical Poster Lesson series. 𝗪𝗛𝗔𝗧'𝗦 𝗜𝗡𝗦𝗜𝗗𝗘
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About the store

Experience

Purely Textual began as a creative project for my wife’s love of reading. What started as designing literary apparel soon evolved into visual resources and posters for classic literature, built to help readers and classrooms see how stories work beneath the surface. Each design combines careful research, historical accuracy, and visual clarity.

Teaching style

Every resource starts with one question: what is this text actually doing? Not what it represents. Not what the approved reading says. What is Brontë actually doing on this page, in this sentence, in this moment. The design follows the analysis. Never the other way around.

My own education history

I'm not a literature academic. I'm someone who loves to read closely and builds carefully. To look for the story behind the story. Those turn out to be the same skill.

Additional biographical information

If your department head raises an eyebrow, even better